Shelby Ohio Authors

 DAWN POWELL
 


1930 
 
 
The Tampa Times (Tampa, Florida) September 26, 1930
New Dawn Powell Book.
 
"In these days of conservative publishing an initial printing of over 5,000 copies is worthy of comment. Yet Farrar and Rinehart, Inc., have announced a first edition of 7,500 copies for 'Dance Night' by Dawn Powell, which will be published on October 10th. The volume of advance orders on the Pacific coast and in the vicinity of New York is taken as an indication that Miss Powell's novel of an Ohio boom town will be one of the new season's best sellers. 'Dance Night' is Miss Powell's third book, she is also the author of 'She Walks in Beauty' and 'The Bride's House,' reviewed in the Times."
 
 
Original Publication 1930 - Farrar & Rinehart, N. Y.
 

 
Chicago Tribune (Chicago, Illinois) October 11, 1930
 
"On Friday Stanley Rinehart of Farrar and Rinehart, staged an 'at home' in honor of Dawn Powell, who now follows 'She Walks in Beauty' and 'Bride's Night (sic) by a direct and convincingly undrab story of a small Ohio town entitled 'Dance Night.' Miss Powell is petite and plump, with a dimple high up on her cheek where dimples don't usually grow.
 
"She is as innate with energy as a whirring dynamo, a waywardly charming, gamin sort of dynamo. She is to burst on Broadway soon under the Theater Guild banner with a play entitled 'The Party' " (Later retitled 'Big Night').
 

 
The Times (Munster, Indiana) – October 18, 1930
" 'Dance Night' a Novel of the Early Type
Dawn Powell Writes of the Scandels, Ambitions, Tragedies, and Romances of a Small Ohio Town
 

" 'Dance Night' by Dawn Powell was published by Farrar & Rinehart, Inc., this month. To call 'Dance Night' a novel of an Ohio town is to bring to mind a dreary procession of drab 'realistic' studies of small town life, yet it has nothing in common with these. 'Dance Night' is told with authen- ticity, directness and color, and its story of what happens to a railroad town when the boom strikes it is all the more effective because of its unaccented simplicity.

"Lamptown is a factory town on the Big Four railroad, a place of sooty factories and of the 900 girls who work there, tough and sooty themselves, avid for pretty clothes and such romance as they can find with the stray men who wander in and out of the book. It is a story of lunch rooms, of tiled top tables, tinny pianolas, of saloons with beery smells and free lunches, of billiard parlors where men play in their shirt sleeves and feminine shops where women can buy anything from corsets to a hat trimmed with ostrich feathers. The period of 'Dance Night' is that time when men wore buttoned bull-dog toed shoes and a woman's waistline stayed put.

 
"The characters of 'Dance Night' are angry, cynical, willful, helpless, unwilling or resigned , but they are presented without idealization and without malice. The hero is an uncertain youth who may do great things, or may not. The heroine, Jen St. Clair, is a friendless child who has learned early in life that it didn't pay to want people too much because they 'didn't care for you the way you cared for them.' The thing she most longed for, security, seemed constantly to elude her But it is Elsinore Abbott, mother of the hero Morry, who sets the tempo of the book, first as the love-starved wife of a traveling salesman whom she murders, later as a curiously cynical, wraith like figure of tragedy. There are impressive portraits of the salesgirl, Nettie, who loves the indifferent Morry bitterly. There is Mrs. Pepper, plump and manicured 'flame' of Harry Fisher, dancing instructor, whose hair smells of pomade and his breathe of onion; there is Hunt Russell, a rich man's spoiled son and his mistress, Dode, with her proud red mouth and her hard face, and a constantly changing background of other men and women seen briefly but with camera-like sharpness.
 
"Dawn Powell is the author of two other novels, 'The Brides House' and "She Walks in Beauty,' both of which were highly praised critically and created for their author a growing audience. Born in Mt. Gilead, O., less than thirty years ago, and brought up in cities and towns in the northern and central part of the state, Miss Powell decided at the age of 11 to run away from home. When she was 16 she became a reporter on the Shelby Daily Globe at $3.00 a week.
 
" ' It gave me an excuse for hanging around pool rooms, garages, and jails where there was fun instead of staying home being brought up,' Miss Powell explained. 'I saved 425 and went to Lake Erie college, but I discovered that that wasn't enough to pay for my tuition so I typed my way through college.' "
 
"She has been efficiency worker, press agent, farmerette, waitress and movie extra, but for the past few years she has concentrated on writing novels and plays. Miss Powell has been offered contracts for scenario writing, but she rejects them as regularly as they are presented to her, because she thinks it unlucky to do things for money and unpleasant to take orders from anyone.
 
"Those who know her say that Dawn Powell writes novels because they are a release from her unpleasant childhood, an exorcising of the ghosts, and that when she has sung her last song of hate she will probably cease being a novelist and grow great as a playwright. Her play 'The Party' has been purchased by the Theatre guild for production soon. There is a duality noticeable in her every action. She goes from seriousness to nervous and explosive humor without warning. Her humor is great and really reputation making. She seems to be trying to burlesque herself continually but shamefacedly. She is a women at war with herself, seeking peace."
 
 

 
The Los Angeles Times (Los Angeles, California) October 26, 1930
"DANCE NIGHT. By Dawn Powell.
Farrar & Rhinehart, New York
 
" 'People said Lamptown, O., was the biggest town on the Big Four, and the 900 girls in the town needed to step fast to compete for the stray men.' So says Dawn Powell, who takes material similar to that of Sherwood Anderson and Theodore Dreiser and works it into a high-keyed novel that may be loosely described as realistic.
 
"Realistic it is in its presentation of all the ugly and cheap activates of the factory girls, waitresses, milliners, bartenders and railroad men that seem to make up the population of the place. Thursday night they crowded into the Casino dance hall, where Mr. Fisher presided, to the delight of the female patrons of the place. One of these was Elsinore Abbott, wife of a traveling man. She supported herself and her 17-year-old son by running a milliner's shop. She was one of these Freudian suppressed women who may go on in dumb inactivity forever, but who have it in them to burst like a rocket. Elsinore bursts.
 
Her son Morry is about as dull a nit-wit as ever adorned a story. His love for Jen, the girl from the orphanage who had queer dreams, is likewise dull. Jen has some fire in her, but Miss Powell is too firmly true to her method to allow the girl to be attractive or human.
 
" ' Dance Night' is well done of its kind. It is better than Vina Delmar's saffron tales of kept women and sodden men, but it is as sentimental at the core and it has little reality and no magic. Therefore, it should be popular.
 
"Miss Powell, who has a summer place at Port Jefferson, Long Island, in married and has a small son. She hails from Ohio, where she began to write for the Shelby Daily Globe when she was 16. At Lake Erie College she edited the magazine, wrote and directed the class plays. Then she emigrated to New York, where she has made her mark. She is the author of 'She Walks in Beauty' and 'The Bride's House'. ".
 
 

 
 
The Times (Munster, Indiana) – November 8, 1930
“A Sketch of Dawn Powell, Author of 'Dance Night'
 
“Last year the most quoted young woman in New York was Dorothy Parker. The year before it was Anita Loos. This year it is Dawn Powell, author of 'Dance Night', the novel of an Ohio town, which Farrar & Rinehart, Inc., published last month. Her impersonation of a female lecturer is deadly and complete, even to the long silver chain with eyeglasses attached. When she is sufficiently inspired she can give an imitation of Mr. and Mrs. Martin Johnson, a cannibal, a cannibal's wife, a wounded lion, three dead elephants and a movie camera.
 
“Having been, in her brief but varied life, a newspaper woman and a press agent, she dislikes being interviewed and questions the value of publicity. Urged by her publishers to have some pretty photographs taken, whether they looked like her or not, Dawn Powell sent half a dozen post cards purchased in a penny arcade of ladies shamelessly attired in feather fans and chiffon handkerchiefs, and in the accompanying interview she said, 'I think motherhood is just dandy. I would like to be on a shelf with the Forsythe Saga (1922) though I think the American woman is more of a home-maker than your continental woman; however, I hate mice and weasels. I'd rather be at home with a good book and soon after I complete the Waverly novels (Sir Walter Scott published 26 + Waverly novels between 1814 and 1831.) I shall go to my little penthouse in the Hars (sic) mountains to hunt for giant tarpon.'
 
“Despite such madness, however, Miss Powell's 'Dance Night' is a serious, impressive piece of work that combines the searching reality of a Ruth Suckow with the power and warmth of Willa Cather. It is the story of the development of a boom town seen through the eyes of two of its inhabitants: Morrie, who hopes to do great things, and Jen, who believes that he can do them.
 
“Miss Powell has lived in cities and a dozen little towns over northern and central Ohio – little towns in winter and farms in summer. She danced to hurdy-gurdies, went screaming after ice-cream wagons, lived part of the time with her grandmother who had two rooming houses where theatrical stock companies boarded, and part of the time on huge truck farms. Midnights twice a week she went with her grandmother to market on a truck wagon, sat in the market place while the men bargained with old women over the price of pickles and returned home just as fog whistles were sounding over the lake. Her fear and hatred of farm life still exist, which Miss Powell concludes, is why she writes novels. 'The Bride's House' and 'She Walks in Beauty,' her previous novels, received high critical praise for their directness and color.”
 
 

 
 
The Daily Globe – December 20, 1930
“THIS IS TYPICAL AMERICA
 
“William A. Duff, the Ashland, O. antiquarian, is preparing to write a history of the counties which impinge on Ashland county. David Gibson, the newspaper publisher, will tell him this is typical America, the region which has something of every other part of the country.
 
“Before Duff gets very far along, he should read Dawn Powell's latest novel, 'Dance Night.' Its scene is a Big Four town, which I should say, would have been Crestline twenty years ago --- not the Crestline of today. The story also uses Norwalk, Mansfield, Willard, Cedar Point, Canton, Shelby, the Taylor Arcade, De Klyn's, the steamer Eastland and the Gillsy hotel.
 

 

 The Steamer Eastland, launched
in 1903 carried passengers from Chicago to picnic sites and beaches along the shore of Lake Michigan. Originally designed to carry 650 people, it was refitted in 1913 to carry 2500. On July 24, 1915, probably due problems resulting from the refitting, the Eastland Steamer capsized right next to the dock, trapping hundreds underneath or within the ship. More than 800 people died in the accident.

 
 
 
 

 
 
 
“Sherwood Anderson exploited Lorain and Huron counties, but he did not get much below Wellington, and now he has left us cold and gone down to Virginia. Louis Bromfield was working in Mansfield when I tried to get a job on the paper there, and Bromfield subsequently used Mansfield in one of his novels, but he has since moved his scenery to New York.
 
“Miss Powell's three books of which 'Dance Night' is much the best, have been written from New York about these north central Ohio counties she knows so well, as anyone would know them who had worked on the Daily Globe of Shelby. She proved there is novel material in these industrial borderlands, and in those days when new factories were coming in and people were getting suddenly rich and going crazy over dancing teachers, Winton cars, professional football and blonde waitresses ---”

(Originally written by) John Love in The Byproduct column of the Cleveland Plain Dealer
 
 

 
Dayton Daily News (Dayton, Ohio) – November 21, 1930
" 'Dance Night', in the one month since its publication, has sold over 6000 copies, its publishers, Farrar and Rinehart, Inc. report. Dawn Powell, the lucky author, is thinking of dramatizing her novel after she completes the comedy on which she is now working. Miss Powell has sold her first play to the Theater Guild for production soon; when she completes the dramatization of 'Dance Night' it will be her third novel and her third play. Dawn Powell is also the author of 'The Bride's House' and 'She Walks in Beauty.' "
 
 


1931 
 
 
The Capital Times (Madison, Wisconsin) - January 21, 1931
“MODERN MEN
by DAWN POWELL
 
“EDITOR'S NOTE: Dawn Powell, at 28, has become one of the most quoted American authors. Born in Mt. Gilead, Ohio, she has been a newspaper woman and press agent and now has scored a wide success with her novels, plays, and short stories. Her latest novel is 'Dance Night.' In the following article, written exclusively for the Capital Times and NEA Service, she reveals a humorous insight into modern life.”
 
"Statistics on parties in New York for the last six months prove definitely that men are disappearing by the thousands. Presently all that will be left will be a few baritone talking machine records and the gray derby of the Earl Steubenville Man; nothing else to show that once there were men, even gentlemen.
 
“Some time ago many Constant Readers were worried about the disappearance of the 'Gentleman.' As a matter of fact there are more gentlemen in proportion to the men than ever were; a lady can always find a gentleman graciously holding open the cab door or picking up her hankie as she drags her trunks downstairs single handed. Your gentleman is right on the job holding her sables for her as she pays the dinner check; he is right there whispering soft nothings in her ear while she changes tires on the car. The gentleman will remain long after men in the rough have vanished. We don't need to worry about him so long as he doesn't over-train.
 
“But it is this very 'man in the rough' that is going. You can even see them going before your very eyes. Hundreds vanish nightly at parties --- usually just a few minutes before the hostess is ready to farm out the lone girls they're to see home to Spuyen Duyvil or Tudor City. You see them vanishing with a ghostly smile a few days before Christmas or birthdays and particularly just before wedding days. You see them rushing with a fixed driven look – out of restaurant doors in that brief mad moment between check and double-check. I have with my own eyes seen them fade into thin air just as I was saying, 'Oh, let's all go up to the Club Abbey and then go to Harlem!' It is true that they sometimes come back at the tea or dinner hour just to haunt me the next day, but anyone can tell they are just not there at all.
 
“On second thoughts it seems unlikely that this gay delightful gender (in any language, the masculine is always the easiest gender to know) should be lost completely. He just can't shrink into a red inked zero on the census-taker's chart. He must after all disappear some place.
 
“The truth is that he hides in the last place any modern woman would dream of looking for him. He goes home! It really is the safest place for him since no woman wants to go home even for a man. There he is pitifully warming himself before the fireplace drinking his simple highballs, and smoking his simple pipe. Keeping the home fires burning against the day when women will have their way and move everybody into hotels or steamships. Women going out into the world have at last made the home safe for men. There they cower while their wives and all sorts of gorgeous women charge about the city and charge and charge. While frail modern woman dances and ha-cha-chas and boop-a-doops, your modern man is saving the home; while she joins hands with her emancipated sisters in a hey nonny no and a morris dance, he is listening to the radio in a morris chair.

“Men are disappearing fast, into the home.”
 

 
Local area readers of Dawn Powell's novels have long speculated on the characters and places that appear in her novels. "Dance Night" is often selected for that contemplation. With the rapid growth of the Shelby Electric Company or 'The Lamp Works', surely "Lamptown" has to be Shelby in the early 1900s. As Globe reporter, Dawn would have been well acquainted with Shelby merchants, saloons, restaurants and lunch rooms, as well as boarding houses, hotels, railroads, who ran them, and who may have frequented them. This put her in a unique position to enlarge and exploit that knowledge.
 
 "Dance Night's" List of Characters and Locations  
Charles Abbott – traveling salesman
Elsinore Abbott – millinery shop owner
Morry Abbott – son
Jen St. Clair -
Lily St. Clair - Jen's younger sister
Nettie Farrell -
Mrs. Pepper - corsetiere
Hunt Russell – rich owner of the Lamp Works
Dolores “Dode” O'Connell - Hunt's mistress
Harry Fischer – dance instructor
Mr. Sanderson – dance piano player
Milly – Paradise Theatre piano player and “professional lady of joy”.
Grace Terris – waitress at Bauers.
Mr. Fowler – Lamptown builder - “architect”
Mr. Schwarz – Cleveland “friend”
Lou Berman – owner of the Elite Gown Shop
Lizzie Madison - “the biggest sporting house in town” - (Toledo)
 
Bon Ton Hat Shop
Bauer's Chop House
Delaney's Saloon + Billards
Casino Dance Hall
Robbin's Jewelry Store
Clover Heights
Elite Gown Shop
 
 
But just what was total fiction and what was largely based on her knowledge of Shelby and it's inhabitants? Some of the businesses' and characters' identities are easier to theorize about than others. It could be an interesting exercise to open this discussion to you, the reader. If you've read "Dance Night" or if you are now encouraged to do so and would be interested in participating in this discussion, please email your theories concerning the actual places and characters that may hide behind those listed above.
 
Email your ideas and the reasons behind them to:
Dawn Powell Dance Night Theories
 
If you like, your ideas could later be published here. Your identity will be held private unless otherwise requested.
 
 
 

 The Tenth Moon
 
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